SASSARI. And encounter of harmonies in which the instruments do not compete but dialogue, they reply, they imitate or interrupt politely as in a refined conversation. All this And the baroque concert “Dialogues in aharmony”, That Sunday 16 November goes in scene in the church of San Pietro in Silki ad operathe ensembles The Garland of Basel e Dolci Accenti of Sassari, inserted in the calendar ofthe festival international of ancient music “Note Senza tempo”.
To represent La Garland they will be Luis Martinez on the transverse flute and Joan Boronat on the harpsichord, per Dolci Accenti they will intervene Daniel Cernuto to the viola da gamba and Calogero Sportato there theorba, archlute and baroque guitar.
Il plan opens with the Sonata a trio in G major (BWV 1039) Of Johann Sebastian Bach, a work of extremely elaborate counterpoint in which each movement displays the mastery of imitative dialogue. Far from severity that sometimes was attributed to him, in this work the great composer reveals his brightest and chamber music side. The flute and the viola da gamba, different in timbre and temperament, they find in the continuous bass the ground on which to intertwine their voices with balance and delicacy.
The musical journey continues in Italy at the end of the 17th century with Martin Bitti, whose sonata still retains the breath of improvisation. The Prelude sequence, German, Corrente e Giga revives the spirit of stylized dance, rich in vitality and elegance.
The Sonata in A minor by Johann Friedrich Ruhe brings the viola da gamba back to the center of attention, instrument of noble introspection, who here shows both his rhetorical power and his ability to sing with sincere melancholy, in constant dialogue with the continuous bass. Il concerto culminates with the Sonata a trio in F major (TWV 42:F5) Of Georg Philipp Telemann, master of melodic ingenuity and affective contrasts. Lightness and expressiveness come together in a composition that transforms music into a real conversation between equals.
La Guirlande is one of the most versatile ensembles specializing in the historicist interpretation of 18th and 19th century music on the current scene. Founded by Luis Martínez Pueyo during his period at the School of Singers in Basel, boasts musicians of renowned prestige in the field of historicist interpretation, formatsin some of the most prestigious ancient music schools in the world, That they collaborate with renowned European and international ensembles and orchestras.
Dolci Accenti it was fwaved in 2000 and instrumentalists That they come from different artistic and cultural experiences; they met during their study courses at the Vicenza Conservatory, where they specialized in’performance of the musical repertoire of the 17th and early 18th centuries, deepening the study and research on original sources such as treatises, music, prints, manuscripts and chronicles d’era.
The “Timeless Notes” festival is directo artistically Daniel Cernuto and it is organizedoby the association Dolci Accenti with the contribution of Autonomous Region of Sardinia, from the Foundation of Sardinia and the Municipalities of Sassari, Uri, Porto Torres and Monteleone Roccadoria. The detailed program can be consulted on the website www.notesenzatempo.it.
Salvatore Taras
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